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ART HAS NO HISTORY

Viktor Čech

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7.8.2019 Return to: Videokemp 2019Full resolution (3401 × 5101)

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Recent Posts

  • Monstrozita odlišnosti
  • Pool Lecture
  • Daniela Krajčová
  • Michaela Munzarová – Marcel Rozhoň: Půl / Pool
  • Body Movement as a Space-Time (Dis)continuity
  • Everlasting
  • VERONIKA ČECHMÁNKOVÁ: VŮNĚ NADĚJE
  • Finalist’s exhibition of Oskár Čepan Award 2020
  • Effort
  • Jiří Pitrmuc: Wingless Bird with Hands
  • The Man with Well-trained Awareness Muscle – Thierry Geoffroy
  • Choreography of Thought
  • Podstata malby
  • Náhodou
  • Mýty o technologii, nebo technologie mýtu?
  • Křehké zahrady škodlivých rozkoší
  • Physical presence, Empathy, The Position of the Viewer – CVJ Residency – INI Project
  • Obraz versus Perspektiva – Perspektivy současného videoartu
  • Clueless Critic lecture
  • Language Labyrinth and Ideological Pitfalls – CVJ Residency – INI Project
  • Book Choreografický moment v současném umění
  • An Attempt at Poetheoretical Commentary
  • Videokemp 2019
  • Tomáš Predka: Mimo záznam
  • C/Raving for Complexity
  • Mystika Hygieny
  • Kryštof Strejc: Guči tuning
  • Hearing Economy
  • Jiná modernita z východu
  • Topografie pozornosti
  • Harvested Darkness
  • Bubínek
  • Video ve smyčce obsese
  • Irena Armuditisová: Charaktery
  • Pneuma
  • Bojíme se o sebe ještě?
  • Rychlá chůze zpaměti
  • Mezi chobotnicí a uprchlíky
  • Choreografizovaná DNA
  • Chiasmus
  • Analogová výstava počítačového umění
  • Harvesting Darkness
  • Odův syndrom
  • Berlínský model – Meet your critics
  • Milan Mazúr: n0 way
  • Renata Machýčková
  • Žaludek naruby
  • Midasův dotyk
  • Umění zapomenutého národa
  • Uměleckohistorická apolitičnost politického

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