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ART HAS NO HISTORY

Viktor Čech

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Recent Posts

  • Kritik versus kurátor
  • Milan Mazúr
  • Umělecká kritika mezi etickými dilematy a bezmocí
  • LUMA v Arles. O začarované věži mecenátu.
  • Umělcovo doupě
  • Milan Mazúr: Ján – přednáška k uvedení knihy
  • Radikalita odloučení
  • Oponentský posudek: Adrian Altman
  • Rafanská retrospektiva
  • Druhý konec ramene
  • Apart Collective: Oxigen
  • Ani člověk, ani bůh
  • Monstrozita odlišnosti
  • Pool Lecture
  • Daniela Krajčová
  • Michaela Munzarová – Marcel Rozhoň: Půl / Pool
  • Body Movement as a Space-Time (Dis)continuity
  • Everlasting
  • VERONIKA ČECHMÁNKOVÁ: VŮNĚ NADĚJE
  • Finalist’s exhibition of Oskár Čepan Award 2020
  • Effort
  • Jiří Pitrmuc: Wingless Bird with Hands
  • The Man with Well-trained Awareness Muscle – Thierry Geoffroy
  • Choreography of Thought
  • Podstata malby
  • Náhodou
  • Mýty o technologii, nebo technologie mýtu?
  • Křehké zahrady škodlivých rozkoší
  • Physical presence, Empathy, The Position of the Viewer – CVJ Residency – INI Project
  • Obraz versus Perspektiva – Perspektivy současného videoartu
  • Clueless Critic lecture
  • Language Labyrinth and Ideological Pitfalls – CVJ Residency – INI Project
  • Book Choreografický moment v současném umění
  • An Attempt at Poetheoretical Commentary
  • Videokemp 2019
  • Viskozita současné tělesnosti
  • Tomáš Predka: Mimo záznam
  • C/Raving for Complexity
  • Mystika Hygieny
  • Kryštof Strejc: Guči tuning
  • Hearing Economy
  • Jiná modernita z východu
  • Topografie pozornosti
  • Harvested Darkness
  • Bubínek
  • Video ve smyčce obsese
  • Irena Armuditisová: Charaktery
  • Pneuma
  • Bojíme se o sebe ještě?
  • Rychlá chůze zpaměti

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