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ART HAS NO HISTORY

Viktor Čech

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Recent Posts

  • Metabolismy zkušeností – Adéla Matasová
  • Galerie jako místo a jako komunita
  • Jana Vojnárová: Stužkonoska modrá
  • A Strange Neighborhood – text in the book MODEL
  • Teddy Bears a podobné roztomilosti
  • Hra na transcendenci aneb Umělečtí mystici dnes
  • Kritik versus kurátor
  • O šálku bílé kávy a jiných neviditelných věcech
  • Milan Mazúr
  • Viktor Fuček: Splietanie realít
  • Umělecká kritika mezi etickými dilematy a bezmocí
  • LUMA v Arles. O začarované věži mecenátu.
  • Umělcovo doupě
  • Milan Mazúr: Ján – přednáška k uvedení knihy
  • Radikalita odloučení
  • Oponentský posudek: Adrian Altman
  • Rafanská retrospektiva
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  • Apart Collective: Oxigen
  • Ani člověk, ani bůh
  • Monstrozita odlišnosti
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  • Daniela Krajčová
  • Michaela Munzarová – Marcel Rozhoň: Půl / Pool
  • Body Movement as a Space-Time (Dis)continuity
  • Everlasting
  • VERONIKA ČECHMÁNKOVÁ: VŮNĚ NADĚJE
  • Finalist’s exhibition of Oskár Čepan Award 2020
  • Effort
  • Jiří Pitrmuc: Wingless Bird with Hands
  • The Man with Well-trained Awareness Muscle – Thierry Geoffroy
  • Choreography of Thought
  • Podstata malby
  • Náhodou
  • Kusch – text výstavě co jsem nakonec (ne)kurátoroval
  • Mýty o technologii, nebo technologie mýtu?
  • Křehké zahrady škodlivých rozkoší
  • Physical presence, Empathy, The Position of the Viewer – CVJ Residency – INI Project
  • Obraz versus Perspektiva – Perspektivy současného videoartu
  • Clueless Critic lecture
  • Language Labyrinth and Ideological Pitfalls – CVJ Residency – INI Project
  • Book Choreografický moment v současném umění
  • An Attempt at Poetheoretical Commentary
  • Videokemp 2019
  • Viskozita současné tělesnosti
  • Tomáš Predka: Mimo záznam
  • C/Raving for Complexity
  • Mystika Hygieny
  • Kryštof Strejc: Guči tuning
  • Hearing Economy

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