Skip to content

ART HAS NO HISTORY

Viktor Čech

  • curatorial projects
  • texts for exhibitions
  • exhibition reviews
  • theoretical texts
  • art projects
  • download
  • CV
  • media reflections
  • texts in english

Pfeiffer

13.6.2014 Return to: Prostory naraceFull resolution (2048 × 1365)

Image navigation

Previous Image
Next Image

Recent Posts

  • Matěj Macháček: Sunset Archers
  • Bodies in a Tight Corner – Těla v úzkých
  • Book launch Choreography of the Mind – Effort – Physical Motion as a Time/Space (Dis)Continuity
  • kniha Choreografie mysli – Úsilí – Tělesný pohyb jako časoprostorová (dis)kontinuita
  • Nové rozhrania/Viktor Čech: Tanec v minovém poli aneb labyrinty choreopolitických systémů
  • Metabolismy zkušeností – Adéla Matasová
  • Galerie jako místo a jako komunita
  • Jana Vojnárová: Stužkonoska modrá
  • A Strange Neighborhood – text in the book MODEL
  • Teddy Bears a podobné roztomilosti
  • Hra na transcendenci aneb Umělečtí mystici dnes
  • Kritik versus kurátor
  • O šálku bílé kávy a jiných neviditelných věcech
  • Milan Mazúr
  • Viktor Fuček: Splietanie realít
  • Umělecká kritika mezi etickými dilematy a bezmocí
  • LUMA v Arles. O začarované věži mecenátu.
  • Umělcovo doupě
  • Milan Mazúr: Ján – přednáška k uvedení knihy
  • Radikalita odloučení
  • Oponentský posudek: Adrian Altman
  • Rafanská retrospektiva
  • Druhý konec ramene
  • Apart Collective: Oxigen
  • Ani člověk, ani bůh
  • Monstrozita odlišnosti
  • Pool Lecture
  • Daniela Krajčová
  • Michaela Munzarová – Marcel Rozhoň: Půl / Pool
  • Body Movement as a Space-Time (Dis)continuity
  • Everlasting
  • VERONIKA ČECHMÁNKOVÁ: VŮNĚ NADĚJE
  • Finalist’s exhibition of Oskár Čepan Award 2020
  • Effort
  • Jiří Pitrmuc: Wingless Bird with Hands
  • The Man with Well-trained Awareness Muscle – Thierry Geoffroy
  • Choreography of Thought
  • Podstata malby
  • Náhodou
  • Kusch – text výstavě co jsem nakonec (ne)kurátoroval
  • Mýty o technologii, nebo technologie mýtu?
  • Křehké zahrady škodlivých rozkoší
  • Physical presence, Empathy, The Position of the Viewer – CVJ Residency – INI Project
  • Obraz versus Perspektiva – Perspektivy současného videoartu
  • Clueless Critic lecture
  • Language Labyrinth and Ideological Pitfalls – CVJ Residency – INI Project
  • Book Choreografický moment v současném umění
  • An Attempt at Poetheoretical Commentary
  • Videokemp 2019
  • Viskozita současné tělesnosti

Archives

  • March 2023
  • October 2022
  • August 2022
  • June 2022
  • May 2022
  • April 2022
  • February 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • July 2021
  • May 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • October 2020
  • September 2020
  • July 2020
  • June 2020
  • March 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • June 2019
  • May 2019
  • March 2019
  • February 2019
  • December 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • September 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • December 2016
  • October 2016
  • September 2016
  • August 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • October 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • November 2014
  • October 2014
  • August 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • July 2012
  • June 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • August 2011
  • July 2011
  • June 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • July 2010
  • March 2010
  • February 2010
  • January 2010
  • August 2009
  • July 2009
  • December 2008
  • August 2008
  • March 2008
  • February 2008
  • September 2007
  • August 2007
  • July 2007
  • June 2007
  • May 2007
  • March 2007
  • January 2007
  • December 2006
  • November 2006
  • August 2006
  • May 2006
  • July 2005
  • March 2005

  • Follow Following
    • ART HAS NO HISTORY
    • Already have a WordPress.com account? Log in now.
    • ART HAS NO HISTORY
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar